I saved this email from December 2011 because I love how passionate our collectors are and yet this email might be one of the more pessimistic messages I’ve ever received after a production update:
I do not normally do this, but I just saw what you are proposing as the covers for this book.
I am very disappointed. It will devalue the book, it literally looks like pavement pizza, I’m going to cry, I buy these books because they are usually works of art, but this …
Can you go back to the black cover with the red writing, anything would be better than what you have on the website. I can’t believe it, I am in shock. Blech!
Although I really appreciated the passion behind the email, I didn’t agree that the stamping needed to be changed, and this is what the book in question ended up looking like:
Many collectors consider it to be one of the more popular special editions Lonely Road Books has published yet.
I really do love people who are passionate about books, even if I don’t agree with their opinion, but every now and then my mind flashes back to “pavement pizza” and I have to smile.
It took a few tries for the stamping die maker and binder to get on the same page for Lettered Edition of The Strain by Guillermo del Toro and Chuck Hogan. At the top of this photo is the traycase (left, in red) and the leather-bound book (right, in black). Across the bottom are three different stamping samples on the leather binding, with the first version on the left and the final version on the right.
The final stamping looked like this:
Here are a few photos of the Deluxe Special Edition of The Strain by Guillermo del Toro and Chuck Hogan, which I published at Lonely Road Books. If you’re reading this via email or on the front page or category page, click the “read more” button for the rest of the images.
Limited Edition Slipcase (L), Lettered Edition Traycase (R)
Continue reading Photos of The Strain: The Deluxe Special Edition by Guillermo del Toro and Chuck Hogan
As many of you know, Lonely Road Books published a deluxe Limited Edition and a deluxe Lettered Edition of Blockade Billy by Stephen King. They looked something like this (click on any of the images for the full gallery on the LRB website):
Many collectors already know that Stephen King autographed his first-ever baseball cards as his way of signing these special editions, which I thought was very cool, but what no one outside a small group knew until now is that there were actually two different baseball cards created for King. Here’s how this unique and unusual collectible item came to be:
Continue reading The Secret History of Stephen King’s Baseball Cards
Here is the latest update on The Exorcist: The 40th Anniversary Revised Limited Edition by William Peter Blatty that Lonely Road Books will be publishing later this year:
The book is now designed and being proofread, and we’re still right on track for a summer publication date.
As I mentioned last time, I originally planned on printing 6 color artwork plates in this special edition, but Caniglia went overboard and turned in 13 (!) color pieces, so I’m breaking the budget and adding all of them to the book. You can never have too much Caniglia artwork in a beautiful special edition like this one.
In addition, Mr. Blatty has provided an introduction and an afterword that won’t be appearing in any other edition of the book, so even though the Lonely Road Books special edition is long sold out, those essays have been added as unannounced bonus features.
Finally, there is also a special unannounced bonus for the Lettered Edition customers: because Caniglia turned in so much extra artwork, there will be entirely different artwork on the Lettered Edition’s dust jacket instead of the same artwork that will be appearing on the Limited Edition as originally planned.
I’ll post more news as I have it, but you can also always email me if you have any questions. Thanks, as always, for your support!
As I mentioned a while back, Lonely Road Books will be publishing a special Limited Edition of The Exorcist: The 40th Anniversary Revised Edition by William Peter Blatty. The book sold out just 30 hours after it was announced, which is excellent for the collectors who managed to snag a copy, and production is moving along smoothly. In fact, today I’m extremely pleased to unveil Caniglia’s incredible cover painting for the book, which I absolutely love:
Caniglia is now working on the interior artwork and I’ll try to post a few more samples between now and publication. Feel free to post your thoughts in the comments!